This is a layer-based color corrector that combines four tools into a single filter. The newest color correction plug-in for Final Cut Pro X is Color Finale from Color Grading Central. Some, like Ripple Tools RT Color Balance and Lawn Road Color Precision, use the Mac OS color picker in a way that functions as a color balance control. To date, plug-ins that offer color wheels have included Yanobox Moods, Red Giant Colorista III, FilmConvert, and Hawaiki Color. The usual workaround – if they don’t utilize the space of the Inspector panel – is a of HUD (heads-up display) or an overlay on top of the viewer image.

The complication is that the FCP X user interface is very restrictive for software developers, which limits the sort of custom controls they can use. Although this may be intuitive to users who don’t know anything about color theory, it’s contrary to how most other color tools work.Īs a result, many FCP X editors have been on the lookout for good color correction plug-ins that use the more common three-way color wheel method. To decrease one color, you simply move the puck into the negative range for that color. In the color tab, which controls balance, you see a color swatch field divided into positive and negative halves. This decreases the color you want to reduce by shifting the balance towards the colors that are on the opposite side of the wheel.Īpple replaced the color wheel model in FCP X with the color board – a set of tabs for exposure, saturation and color (tint or hue). It’s based on the principle that to reduce a certain color cast you push the wheel in the opposite direction of that color. Most built-in color correction modules and plug-ins use the common color wheel method for changing color balance. When Apple launched Final Cut Pro X, one of the items that users missed from previous versions was the popular three-way color corrector.

Color finale premiere pro